Friday, 26 September 2008

Rembrandt The Return of the Prodigal Son painting

Rembrandt The Return of the Prodigal Son painting
Thomas Gainsborough The Blue Boy painting
Edvard Munch The Scream painting
loved no one else. He had nowhere to go, nothing to do. Moreover he suspected, of late, that it would not hurt her if he went. And, above all, the single steadfast desire left to him was to do her ill. “I wish she were dead,” he said to himself as he lay awake at night. “I wish she were dead.”
Sometimes they went out together. As the winter passed, John took to dining once or twice a week at his club. He assumed that on these occasions she stayed at Home, but one morning it transpired that she too had dined out the evening before. He did not ask with whom, but his aunt did, and Elizabeth replied, “Just someone from the office.”
“The Jew?” John asked.
“As a matter of fact, it was.”
“I hope you enjoyed it.”
“Quite. A beastly dinner, of course, but he’s very amusing.”
One night when he returned from his club, after a dismal little dinner and two crowded

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