Monday, 6 October 2008

Thomas Moran Waterfall in Yosemite painting

Thomas Moran Waterfall in Yosemite paintingThomas Moran The sacrifice of Isaac paintingThomas Moran The Picnic painting
hint that he has high connections at home. If he lives long enough, generations of missionaries in all kinds of remote places will think of him as a queer old character who was somehow part of the Home of their student days, and remember him in their masses. He’ll develop little eccentricities of devotion, intense personal cults of his own; he’ll be found in the chapel at odd times and missed when he’s expected. Then one morning, after one of his drinking bouts, he’ll be picked up at the gate dying, and show by a mere flicker of the eyelid that he is conscious when they give him the last sacraments. It’s not such a bad way of getting through one’s life.’
I thought of the youth with the teddy-bear under the flowering chestnuts. ‘It’s not what one would have foretold,’ I said. ‘I suppose he doesn’t suffer?’ ‘Oh, yes, I think he does. One can have no idea what the suffering may be, to be

No comments: